A breezy romance that may appeal to fans of Jodi Thomas or Anna Schmidt.
In Reede’s (Blinked, 2017) romance, a woman fighting to save her land from a developer finds herself attracted to the developer’s lawyer.
Ferina Kincaid is a rancher who loves her family’s spread in Brewster County in West Texas. However, she’s struggling to keep the place afloat during a lengthy drought; to make matters more complicated, her boyfriend, Wayne, is cheating on her. Lance Morrison, her neighbor, wants to purchase the land and build a huge department store on it, but Ferina is unwilling to sell. Lance hires Houston lawyer Nolan Anderson to locate her estranged brother, Frank, hoping he can convince Frank to contest his father’s will and sell his share of the land. Nolan and his twin sister, Nadia, arrive in Brewster County expecting an uncomplicated case, but they develop some unexpected connections. Nadia begins dating Ferina’s friend Dwight White, and Nolan develops an interest in Ferina. She’s understandably wary of his intentions but soon finds herself falling in love with him. Nolan tries to ensure that Ferina receives a fair deal, but then Frank surfaces, and a series of mysterious events threaten the ranch. Soon, Ferina and Nolan wonder if their relationship can survive the chaos. The latest from Reede is an entertaining contemporary romance that offers likable characters, well-developed settings, and a generous dose of Southern charm. Ferina and Nolan are strong protagonists whose relationship grounds a multilayered plot. The supporting characters are equally well-drawn, especially Wayne and Frank. The setting is a central element of the story, and Reede creates a vivid portrait of Brewster County that not only includes Ferina’s beloved ranch, but also the Dixie Diner, a popular local restaurant. That said, the editing can be inconsistent at times; Wayne’s last name is“McKellen” and “McClellan” at different points, and legendary singer Billie Holiday is identified as “Billy Holiday.”
A breezy romance that may appeal to fans of Jodi Thomas or Anna Schmidt.Pub Date: Feb. 25, 2017
ISBN: 978-1-62694-619-4
Page Count: 271
Publisher: Black Opal Books
Review Posted Online: April 10, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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