An extraordinary work in every way. McCourt magically retrieves love, dignity, and humor from a childhood of hunger, loss...
A powerful, exquisitely written debut, a recollection of the author's miserable childhood in the slums of Limerick, Ireland, during the Depression and World War II.
McCourt was born in Brooklyn in 1930 but returned to Ireland with his family at the age of four. He describes, not without humor, scenes of hunger, illness, filth, and deprivation that would have given Dickens pause. His "shiftless loquacious alcoholic father,'' Malachy, rarely worked; when he did he usually drank his wages, leaving his wife, Angela, to beg from local churches and charity organizations. McCourt remembers his little sister dying in his mother's arms. Then Oliver, one of the twins, got sick and died. McCourt himself nearly died of typhoid fever when he was ten. As awful and neglectful as his father could be, there were also heartrendingly tender moments: Unable to pay for a doctor and fearful of losing yet another child when the youngest is almost suffocating from a cold, his father places "his mouth on the little nose...sucking the bad stuff out of Michael's head.'' Malachy fled to do war work in England but failed to send any money home, leaving his wife and children, already living in squalor, to further fend for themselves. They stole and begged and tore wood from the walls to burn in the stove. Forced to move in with an abusive cousin, McCourt became aware that the man and his mother were having "the excitement'' up there in their grubby loft. After taking a beating from the man, McCourt ran away to stay with an uncle and spent his teens alternating between petty crime and odd jobs. Eventually he made his way, once again, to America.
An extraordinary work in every way. McCourt magically retrieves love, dignity, and humor from a childhood of hunger, loss and pain.Pub Date: Sept. 9, 1996
ISBN: 0-684-87435-0
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1996
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
PERSPECTIVES
PERSPECTIVES
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