A thoughtful, observant, and often humorous tale about real connections.
In this literary novel, family secrets, friendship, and the resilience of love play out in a dinner party between two couples.
As this story opens in London, Eva Polk (née Harper) reacts with glee to news of a relative’s death, which exposes a big secret she’s kept from her husband of 10 years, Adam. The reasons are explained in the following chapters tracing Eva’s childhood, her father’s remarriage, her friendship with Karen Armstrong, her stellar success in the advertising business, and meeting and marrying Adam, who becomes a successful artist. Shared tastes and mutual passion overcome their differing backgrounds. Eva is white, Adam is of mixed race and adopted; Adam’s father is a plumber, while Eva’s was senior partner in a top-tier accountancy firm. Marriage doesn’t dull their feelings: “Every day they told each other that they loved each other every day more.” After 10 years, they start thinking about children, but Eva’s infertility makes them decide to adopt. At a dinner party with Karen and her husband, Jean-Claude, several truths surface, including an important secret Eva has been keeping. But Adam doesn’t focus on the injury to him; rather, he sees the secret as something she “had borne heavily…from now on Adam wanted her to know that he was bearing it with her—with, not against her,” a sentence that beautifully encapsulates what love is. As in his previous novels, Cacoyannis (Bowl of Fruit (1907), 2015, etc.) uses his familiarity with London, its various subcultures, and the art world to good effect. The themes of adoption and stepparents, as well as the mixed-race characters, reflect the way people live now. At times, and despite Eva’s secrets, the couple can seem too good and too fortunate to be true; apart from a brief episode of Eva’s “melancholia,” they have amazing sex every day. Nevertheless, the author draws forth their layered humanity. The book’s seriousness is relieved, complicated, and strengthened by its trenchant observations of horrible people, along with black humor involving Eva’s dead relative, a rare 1970s biscuit tin, and the wooden sculpture of a bleeding vagina.
A thoughtful, observant, and often humorous tale about real connections.Pub Date: Jan. 20, 2017
ISBN: 978-1-5202-4685-7
Page Count: 237
Publisher: Self
Review Posted Online: Jan. 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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