A thoughtful, observant, and often humorous tale about real connections.
In this literary novel, family secrets, friendship, and the resilience of love play out in a dinner party between two couples.
As this story opens in London, Eva Polk (née Harper) reacts with glee to news of a relative’s death, which exposes a big secret she’s kept from her husband of 10 years, Adam. The reasons are explained in the following chapters tracing Eva’s childhood, her father’s remarriage, her friendship with Karen Armstrong, her stellar success in the advertising business, and meeting and marrying Adam, who becomes a successful artist. Shared tastes and mutual passion overcome their differing backgrounds. Eva is white, Adam is of mixed race and adopted; Adam’s father is a plumber, while Eva’s was senior partner in a top-tier accountancy firm. Marriage doesn’t dull their feelings: “Every day they told each other that they loved each other every day more.” After 10 years, they start thinking about children, but Eva’s infertility makes them decide to adopt. At a dinner party with Karen and her husband, Jean-Claude, several truths surface, including an important secret Eva has been keeping. But Adam doesn’t focus on the injury to him; rather, he sees the secret as something she “had borne heavily…from now on Adam wanted her to know that he was bearing it with her—with, not against her,” a sentence that beautifully encapsulates what love is. As in his previous novels, Cacoyannis (Bowl of Fruit (1907), 2015, etc.) uses his familiarity with London, its various subcultures, and the art world to good effect. The themes of adoption and stepparents, as well as the mixed-race characters, reflect the way people live now. At times, and despite Eva’s secrets, the couple can seem too good and too fortunate to be true; apart from a brief episode of Eva’s “melancholia,” they have amazing sex every day. Nevertheless, the author draws forth their layered humanity. The book’s seriousness is relieved, complicated, and strengthened by its trenchant observations of horrible people, along with black humor involving Eva’s dead relative, a rare 1970s biscuit tin, and the wooden sculpture of a bleeding vagina.
A thoughtful, observant, and often humorous tale about real connections.Pub Date: Jan. 20, 2017
ISBN: 978-1-5202-4685-7
Page Count: 237
Publisher: Self
Review Posted Online: Jan. 20, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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